REVIEW: Molly’s Game [2017]

I’ll bet heavy on the favorite. There’s a common theme throughout much of Aaron Sorkin‘s work the past few years of focusing on the unlikely redeemable qualities of figures easily reduced and reviled by a general public quick to judge without all the facts. You see it in The Social Network and its quest to humanize the abrasive wunderkind at the back of Facebook. It’s there in “The Newsroom” and its desire to show what a media network with integrity in the face of ratings wars can look like. And…

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