REVIEW: The Inhabitants [2015]

“Sweaty dreams” When you’re setting your New England ghost story against the backdrop of a Salem Witch Trial past, it’s quite the coup to secure a locale as famous as the Noyes-Parris House built in 1669. Now owned by author Glenn Cooper (who serves as executive producer), its historical resonance as the home of Reverend Samuel Parris is felt. It was his daughter Betty and niece Abigail Williams who made the first accusations to begin the tragic true-life events that unfolded. It should be no surprise then that Michael and…

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REVIEW: Mur murs [1982]

“That’s part of the beauty. It’s going to change.” What’s there to do while you’re in Los Angeles? Shoot a couple films, of course. That’s exactly what French auteur Agnès Varda decided to do in 1981 with her fictional narrative Documenteur and documentary Mur murs. The latter proves a very down and dirty point and shoot piece, immortalizing the myriad murals around Los Angeles as well as the artists behind them. This is important too since so many have been covered in graffiti, knocked down, or hidden by new construction.…

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REVIEW: Tangerine [2015]

“Los Angeles is a beautifully wrapped lie” ‘Twas the night before Christmas and Tinseltown’s intersection of Santa Monica and Highland is bustling. A hotbed of sex work and drug use, Sean Baker‘s unfiltered Tangerine takes us into a world we haven’t quite seen on the big screen—especially not from a major distributor like Magnolia Pictures—by following three characters on a mission towards personal joy they know Santa won’t be bringing this year. For Sin-Dee (Kitana Kiki Rodriguez) this means the satisfaction of retribution against the boyfriend she learned cheated on…

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REVIEW: The Walk [2015]

“The carrots are cooked” I’ve yet to watch the Oscar-winning documentary Man on Wire, but it’s hard not to get swept up in its daredevil intrigue. Depicting the “artistic crime of the century,” Frenchman Philippe Petit illegally hung a wire between the World Trade Center’s Twin Towers and walked across multiple times to the dismay of New York City police officers on either side begging him to stop. Nik Wallenda may be the latest wire-walker to make international headlines—a man whose family has seen tragedy befall those taking up the…

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INTERVIEW: Sebastian Schipper, director/cowriter of Victoria

The word on the street about Victoria is that it’s a must-see for one reason: its entire two-plus hour runtime was captured in a single, pulse-pounding continuous take. While that aspect is definitely paramount, don’t think the film has nothing else to offer. This thing gets your blood pumping as much from the authentic performances of regular people in over their heads as it does the technical artistry. And the man leading the way to orchestrate both these halves is Sebastian Schipper. We talked with the co-writer/director about his trust…

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DESIGN: Impossible Truth

Impossible Truth is a Buffalo, NY-based hip-hop duo consisting of Dan Martin and Mega. They’ve decided to get back in the studio and record a new album for Spring 2016 and came to me to design them a new logo to mark the occasion. It began with Dan asking for city skyline and some reference to “716”. From there I looked at old hip-hop outfit iconography and came up with the above.

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REVIEW: Time Out of Mind [2015]

“She’s coming back” One of the easiest things we can do in modern society is marginalize strangers. To laugh and assume we know what has transpired to place some nameless soul in his/her current position only takes a second devoid of context whereas beginning a conversation requires so much more. We reject compassion because it necessitates effort when we’re too busy dealing with our own troubles to carve out time for someone else. That leaves two options: ignore his/her plight altogether or transform him/her into some form of personal entertainment.…

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REVIEW: Driven [2015]

“You need to start being there for him” Writer/director Ali Y. Akarcesme‘s latest short Driven is full of questions that may or may not need answers. It deals with Nicole (Sandy Pasquale) and her son Josh (Joseph Minogue) trying to accept a new dynamic at home without the man who had been playing husband and father when not drinking or yelling. She has retreated inward, passing the time baking and taking care of the house while awaiting a buyer for the large truck parked in her driveway. Josh holds out…

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REVIEW: Pan [2015]

“Is this Canada?” For whatever reason the American public has been fascinated with “origin” stories attempting to give meaning to some of the most iconic adversarial relationships in literary and film history. It’s not enough for the Wicked Witch of the West to hate Glinda or Superman and Lex Luthor to be arch-nemeses—we need to see how those relationships devolved from friendship. Sometimes people just hate each other, though, and there doesn’t need to be an Oz the Great and Powerful or “Smallville” to explain how once-friends turn ugly. Ostensibly…

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REVIEW: Pawn Sacrifice [2015]

“I’m searching for the truth” I’ve always been fascinated by Bobby Fischer due to his vanishing rather than anything he accomplished at a chessboard. I’ve never been good at the game, yet I respect its complexity. The greats literally memorize past matches and maneuvers, so in-tune with the playing field that they can play out loud with nothing more than words. Fischer was a great—the youngest Grandmaster in history and the first American-born World Champion. Like most geniuses, however, the strain of intellect, pressure, and success brought with it a…

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