TIFF15 REVIEW: The Program [2015]

“I’m flying” When you think about what Lance Armstrong did to the sport of cycling—winning seven straight Tour de France titles before finally being revealed as a cheater—you have to laugh. It’s funny how much stock people around the world put in professional sports and athletes only to see their fallibilities as a betrayal. Celebrities in other vocations screw up all the time; some have found their fame specifically for screwing up. But there is integrity to athletics that must not be tainted in the public consciousness. Somehow sports aren’t…

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TIFF15 REVIEW: Colonia [2016]

“You may never get back out” It’s amazing how many horrific acts mankind has initiated over the past century. With all the coups, wars, dictators, etc. it’s impossible to find a country devoid of at least one historically heinous blight. Chile under Augusto Pinochet certainly had its fair share, but I never heard of the prison camp/cult commune Colonia Dignidad. Run by a “godly” savior in Peter Schäfer (Michael Nyqvist), this community guarded by an electrified fence and segregated between men, women, and children became his state-run playground. He took…

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REVIEW: Mississippi Grind [2015]

“It’s Machu Picchu time” Filmmaking duo Anna Boden and Ryan Fleck‘s latest Mississippi Grind is an interesting creature. It has no ulterior motives whatsoever and that’s a unique attribute for a movie about gambling. You can’t watch loudmouth storyteller Curtis (Ryan Reynolds) happen upon the same poker table as down on his luck sad sack Gerry (Ben Mendelsohn) without knowing he’s in the midst of a con. We don’t know what he could want from a guy who is joining sixty-dollar buy-in tournaments to pray he’ll be able to pay-off…

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REVIEW: Black Mass [2015]

“If nobody sees it, it didn’t happen” The story of Southie crime boss James “Whitey” Bulger (Johnny Depp) is perfectly suited for a sprawling, character-driven cinematic adaptation because of the corruption level involved. Based on the book by Boston Globe reporters Dick Lehr and Gerard O’Neill, Black Mass screenwriters Mark Mallouk and Jez Butterworth take us through an in-depth look at a local gangster making good on his promise to watch out for South Boston just as he helps ruin it with drugs and murder before ultimately transforming into an…

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TIFF15 REVIEW: High-Rise [2016]

“I think he’s lost his focus” As soon as the voice of Tom Hiddleston‘s Dr. Robert Laing was heard speaking narration above his weathered and crazed visage manically moving from cluttered, dirty room to darkened feverish corner, my mind started racing. Terry Gilliam‘s Fear and Loathing in Las Vegas popped into my consciousness and then his Brazil after a quick title card shoves us back in time to watch as Laing enters his new concrete behemoth of a housing structure oppressively standing above a vast and still parking lot. Add…

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TIFF15 REVIEW: Closet Monster [2016]

“Don’t be a wimp” Writer/director Stephen Dunn‘s feature debut Closet Monster cares little about convention to tell the story of Oscar Madly (Connor Jessup) growing up with a psychological revulsion to his sexual urges all thanks to an extremely disturbing event witnessed as a child. This prologue glimpse at his youth (played by Jack Fulton) is a mash-up of tough coming-of-age-dramatics and a dark-edged imaginative whimsy that intrigues to draw you closer. It will be divisive with an idyllic world’s caring father (Aaron Abrams‘ Peter) “pushing” dreams into his son’s…

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TIFF15 REVIEW: Truth [2015]

“Don’t forget to eat” There’s a real issue with the media and how they have monetized news content over the past couple decades. Robert Redford has a great monologue as Dan Rather in James Vanderbilt‘s Truth speaking on the subject of “being there” when the switch was flipped. The film’s unsurprisingly very much interested in exposing this fact—despite our already being keenly aware of it and a majority of Americans preferring the sensationalism bred in the aftermath to actual investigative journalism—in the background of an exposé detailing Rather and more…

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TIFF15 REVIEW: About Ray [2015]

“I’m proud of you” I hate to be the guy to judge a book by its cover, but I admittedly did just that with Gaby Dellal‘s About Ray. It depicts the “unconventional” family of three generations with Susan Sarandon‘s Dodo, Naomi Watts as her daughter Maggie, and Elle Fanning‘s transitioning grandson/son respectfully named Ray (formerly Ramona). The artwork is mediocrely mainstream with smiling faces projecting this difficult period in their lives as though a cakewalk the experience never could prove under any circumstances. I expected an everyone-supports-Ray fluff piece and…

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TIFF15 REVIEW: Into the Forest [2016]

“It reveals character” The farther we advance towards a world of complete convenience, the further we distance ourselves from self-sufficiency. Every new generation loses more skills and know-how of what humanity was capable of for millennia to survive. We choose careers in dance and the arts, leave books collecting dust when the internet is at our fingertips, and take comfort in the assumption we’re only minutes away from acquiring what we need so technology can continue sustaining us into the future. So what happens when the power goes out? What’s…

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TIFF15 REVIEW: Baskin [2015]

“Open the eyes of your heart” It starts off with a late night dinner scene between a quintet of cops telling crazy stories and losing their temper with the help straight out of a Tarantino movie and continues on its descent to Hell with a writhing, mashing, sexual bloodletting orgy calling to mind E. Elias Merhige‘s Begotten. This is Can Evrenol‘s debut feature Baskin (adapted from his own short of the same name), a journey to the depths of despair that’s at once nightmare, memory, and horrific present of unimaginable…

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TIFF15 REVIEW: Bang Gang (une histoire d’amour moderne) [Bang Gang (A Modern Love Story)] [2016]

“I’d rather watch” A post-9/11 world rife with domestic terrorism is one our youth should be allowed to avoid. Parents seek an escape as well, though, something that risks leaving their kids alone without supervision for longer than recommended. This concept is never more prevalent than within the affluent sector of society where expendable income and exotic jobs leave a ton of latchkey children trying to defeat boredom. Internet connectivity provides whatever their hearts desire, freedom the ample opportunity to do as they please. Social pressures must be relieved and…

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