REVIEW: Lilting [2014]

“Kissing is kissing” There’s no better title for Hong Khaou‘s feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with memory and reality fading together within a single camera pan for a joltingly emotive effect. It also illustrates each character’s cautious trepidation amidst tragedy and their desire to find acceptance in a powerfully calm rhythm. We’re ushered into the life of a Cambodian Chinese mother (Pei-pei Cheng‘s Junn) living in London with no one but a kindly British gentleman down the…

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