“I’m not drunk enough to sleep in your mother’s deathbed” The first words in Colin Geddes’ TIFF description for Vanguard selection Spring are, “Before Sunrise gets a supernatural twist.” You read that as a cinephile and you push everything aside to check out what it could mean. A horror romance co-director Aaron Moorhead described in his and Justin Benson’s (who also wrote the screenplay) introduction as “life, love, and monsters”, its Italy-set journey of an American lost and alone proves equally suspenseful, grotesque, funny, and beautiful. The best part, however,…
Read MoreTIFF14 REVIEW: Spring [2015]
