NYAFF13 REVIEW: 浮城謎事 [Mystery] [2012]

“His money is either spent on you or me” Having already been banned from filmmaking in China twice, it’s no surprise director Lou Ye has refused to quell his appetites for highly sexualized, naturalistic tales of deceit and betrayal. His debut Weekend Lover had its release postponed two years by the government; 2000’s Suzhou River forced a mandatory two-year hiatus while the film itself remains banned; and 2006 saw a new five-year stall from Chinese production after submitting Summer Palace to Cannes without approval from the country’s censors. With all…

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REVIEW: The Heat [2013]

“She’s looking for my balls” The simple fact producers worried a film like The Heat wouldn’t find an audience because females don’t like action and males don’t like women leads is more a commentary on society’s absurd lack of faith in itself than it is on the industry. It’s 2013 and we haven’t yet looked past gender tropes to accept that universal thing called comedy underneath? Whether or not the movie is good shouldn’t take a backseat to the fear of alienating a group of people money managers treat as…

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REVIEW: Despicable Me 2 [2013]

“Do not do your business on the petunias” When we last saw super villain Gru (Steve Carell) in Despicable Me he had just returned the moon to its rightful place in the sky, retired from evil, and become a father to the three sweetest little girls ever: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Kate Fisher). He had turned over a new leaf after youthful innocence thawed his heart a la how Cindy Lou helped the Grinch grow his in the classic Dr. Seuss tale. It’s the kind…

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INTERVIEW: Adam Brody, star of Some Girl(s)

Best known as geeky Seth Cohen on “The O.C.”, Adam Brody has become a familiar comedic face in Hollywood over the past decade. With a recent turn in Whit Stillman‘s Damsels in Distress and now this Neil LaBute adaptation from his own play Some Girl(s), however, he’s beginning to branch out towards scripts and filmmakers with more palpable weight. It’s a welcome evolution that I believe he’s embraced and excelled at. Taking the time to talk to us—and being nice enough to call back after his first attempts came while…

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INTERVIEW: Neil LaBute, writer of Some Girl(s)

Always prolific on the playwright front, Neil LaBute’s past decade at the movies has been filled by studio pictures that never quite found the creative success of earlier works In the Company of Men or The Shape of Things. However, hot on the heels of his first original work since—Some Velvet Morning—a new adaptation of his 2005 play Some Girl(s) appears to be bringing him back to his roots. The film depicts a young man traveling the country to “right the wrongs” he may have committed with a few ex-girlfriends…

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REVIEW: White House Down [2013]

“My father is a very special man!” It’s a shame Hollywood blockbuster fare has a contractual obligation for contrived happy endings with unnecessary and unsurprising “twists” because Roland Emmerich‘s newest disaster porn entry White House Down is a legitimate winner until its cheesy finale. There’s actual suspense, authentic humor, and charismatic leads to hook us into its plausible terrorist attack scenario with plenty of action to sustain our interest over its two-hour plus runtime. But just as James Vanderbilt’s script inches towards the finish—and our government protocols are severely tested—cliché…

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NYAFF13 REVIEW: 은교 [A Muse] [2012]

“How do you know what he means to me?” Breeding our youth to dream of happily ever afters with an allure of fairy tale romance may do them a disservice by completely ignoring love’s equally prevalent loneliness. We hope to shelter their innocence until they discover the truth themselves, but maybe the pain would be less if they knew. Those we desire won’t always feel the same as platonic affection can be mistaken with sexual flirtation, our fantasies finding themselves scandalous or worse. Such barriers may even increase our feelings…

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REVIEW: Much Ado About Nothing [2013]

“Get thee a wife!” Writer/director Joss Whedon finished principal photography on the most expensive and complex project of his career only to find himself starring a contractually obligated vacation in the face before beginning post-production. The Avengers had him contending with multiple superstar celebrities inside a computer-effects heavy world the likes of which a television career that utilized much of the same talent never came close to reaching. While no one would have blamed him for holing up on some beach to relax with his family, Whedon had other ideas.…

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REVIEW: Some Girl(s) [2013]

“Guys always mean well right before they screw someone over” Often labeled a misogynist misanthrope, Neil LaBute has made a career of writing self-absorbed characters completely ruining the lives of those around them for the fleeting second of giddy happiness resulting from knowing they’re in absolute control. Whether its two men actively seeking to destroy a handicapped coworker or a woman obsessed with proving she has the ability to manufacture the perfect man, his plays shed light on the shadowy corners of human nature in a heightened, darkly comic way.…

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REVIEW: Bounty Killer [2013]

“Bad manners and a face that’d make his mom grab a hammer” With so many iconic comic book properties transforming into big budget drama to capitalize on contemporary society’s interest in broodingly haunted souls finding redemption, it’s fallen to new, original work to fill the void of yesteryear’s bloody romps interested in entertaining sans desire to take themselves too seriously. For TV graphic designer turned director Henry Saine and writer Jason Dodson, such a work was born from the idea of a post-apocalyptic wasteland left by a series of destructive…

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REVIEW: Before Midnight [2013]

“To passing through” With another nine years gone, true loves Celine (Julie Delpy) and Jesse (Ethan Hawke) return to the big screen to update us on romance and relationship struggles for their current, more cynically pragmatic time. Gone is the ability to shirk responsibilities on a whim and roam European with a cute twenty-something guy or girl. Gone is the normalcy of a career-building trajectory as a thirty-something to create a life hopefully in possession of the vitality necessary to endure. The now includes second-guessing, introspective regret, and an all-too…

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