REVIEW: 33 Postcards [2012]

“In China only a parent can give name” A culturally significant film marking the first official cinematic co-production between Australia and China, Pauline Chan‘s 33 Postcards also provides a moving tale about what it means to care for somebody. Selected to partake in the Tribeca Film Institute program as a screenplay in 2009, its future has always been bright from inception straight through its numerous festival screenings these past three years. A promising start for what’s potentially a lucrative financial partnership, Chan’s access to both countries adds a level of…

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