“Wrong way. Turn left for main route, then turn right.” Being from Buffalo generally has a way of making people forgive Renaissance man Vincent Gallo’s abrasive nature and constant ability to put his foot firmly in mouth. His feature length works—Buffalo ‘66 and The Brown Bunny—are generally seen as love it/hate it types and his acting work has never been within films possessing wide appeal, save perhaps Tetro. In 2010, however, Gallo was finally awarded some of the praise hometown folks have been lauding for years. Performing a veritable one-man…
Read MoreREVIEW: Essential Killing [2010]
