• REVIEW: Avengers: Infinity War [2018]

    “He’s never fought me twice” It’s been ten years since we met Tony Stark on the big screen. Ten years of serial storytelling with massive budgets, character crossovers, television offshoots, and Stan Lee cameos that took Hollywood and the box office by storm. Not even steward Kevin Feige could have predicted that type of longevity […]

  • REVIEW: You Were Never Really Here [2018]

    “I must do better, sir” An unparalleled exercise in economy, Lynne Ramsay‘s You Were Never Really Here cements her status as a cinematic master. This brutalist thriller runs a deliberate yet swift 89-minutes, its central character a man of few words with violence bubbling just beneath a too large heart for the hostile world that’s […]

  • The 90th Oscars recap through tweets …

    If you thought this year’s Oscars were going to do something crazy or exciting, you haven’t been paying attention. Between the envelope-gate incident of 2017 and the fact that this was a “multiple of ten” anniversary, the 90th Annual Academy Awards was going to do everything it could to right the ship and ensure nothing […]

  • Picking Winners at the 90th Annual Academy Awards

    The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a […]

  • REVIEW: Black Panther [2018]

    “We had to maintain the lie” It’s easy to forget how important Creed was to getting this specific Black Panther made. From Wesley Snipes wanting to get something off the ground in the 1990s to Kevin Feige courting Ava DuVernay as director post-Selma success, things could have been very different. Hiring Ryan Coogler before his […]

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film reviews

REVIEW: Un beau soleil intérieur [Let the Sunshine In] [2017]

“Being a backstreet lover is just unbearable” Is love all consuming? Or disposable? If you discover it’s one above the other, how do you know you’re right? The answer is simple: love is whatever you need it to be for yourself. Don’t compromise your happiness or comfort. Don’t allow your beau to walk over your […]

REVIEW: Goodland [2018]

“Eventually the sun sets” There’s nothing like some yokel conversation to introduce a film’s environment while also foreshadowing the ensuing plot. It’s easy to dismiss the aging gas station owner and his even older customer’s back and forth about a wolf seen a few miles away because neither is listening to the other. The former […]

REVIEW: Jaws [1975]

“You’re gonna need a bigger boat” Actor Richard Dreyfus called Jaws a “nexus point” during his question and answer period before a recent screening of the cinematic classic and I can’t think of a better descriptor. His words were relevant as far as his career, but also the medium as a whole. Here was a […]

REVIEW: Clerks [1994]

“I’m not even supposed to be here today!” Whether you enjoy Kevin Smith‘s Clerks or not, you can’t deny it’s place in cinematic history as a doorway towards a new landscape of micro-budgeted, dialogue-heavy features. Jason Mewes, while introducing a convention screening of the film twenty-four years later, said: “After watching it in the Quick […]

REVIEW: Scarlet Street [1945]

“So you won’t forget me” There’s a great horror concept within Fritz Lang‘s Scarlet Street. Unfortunately it’s pushed aside for a film noir that never quite gains traction. The problem as I see it stems from the fact that screenwriter Dudley Nichols tries to frame aging pushover Christopher Cross (Edward G. Robinson) as a sympathetic […]

REVIEW: Book Club [2018]

“Sex must not be taken off the table” Besides the numerous raunchy one-liners spoken by the central quartet of aging stars for easy laughs, there’s one short passage from Fifty Shades of Grey that’s actually read onscreen. It comes courtesy of Candice Bergen‘s Sharon and deals with the inexplicable decision to arouse Anastasia Steele with […]

REVIEW: Deadpool 2 [2018]

“We can’t really live until we die a little” The biggest critical gripe coming out of the first Deadpool film was that its attempt to subvert the superhero genre was squandered by being a superhero film. What does that mean? It literally is a superhero film. The character is an X-Men alum who exists to […]

REVIEW: RBG [2018]

“There’s a china doll in the bullpen” If you asked me which branch of government’s members I know least, the answer would be easy: judicial. The reason is even easier: I don’t vote for them. It’s an interesting truth because they’re the ones given lifetime appointments and therefore the ones who will potentially impact our […]

REVIEW: Filmworker [2018]

“I want to work for that man” When studios gave Leon Vitali a hard time about requests made on behalf of Stanley Kubrick, the director would tell him to stand firm and be exacting. Vitali relays a story within Tony Zierra‘s documentary Filmworker of Kubrick faxing these places his demands with Leon’s signature so they […]

REVIEW: La Ciénaga [2001]

“Get me some ice” The debut feature from Argentinian writer/director Lucrecia Martel is entitled La Ciénaga or The Swamp in English. That’s a name no American circa 2018 can read without conjuring allusions to the Donald Trump campaign motto “Drain the Swamp”. And it’s not a superficial thought either once you start to meet the […]

REVIEW: Curvature [2018]

“Trust yourself and nobody else” It’s been a week of grief and mourning for Helen (Lyndsy Fonseca) after finding her husband Wells (Noah Bean) dead by suicide at their secluded cabin. She’s dealing with his absence like anyone would by closing off spaces they shared together in hopes of avoiding too many easy triggers for […]

REVIEW: Laskovoe bezrazlichie mira [The Gentle Indifference of the World][2018]

“Only love is real” Sometimes it isn’t enough to simply portray the type of eternal love that Shakespeare wrote in Romeo and Juliet. Watching two star-crossed lovers attempt to fight the injustices of this world to be together only to sacrifice themselves can still ring hollow because it’s hinged upon the naiveté of children not […]

REVIEW: Le Redoutable [Godard Mon Amour] [2017]

“I was lucky enough to admire my lover” We’re introduced to Emile (Marc Fraize) halfway through Michel Hazanavicius‘ Le Redoubtable [Godard Mon Amour]. He’s a local Frenchman with a car and the means to procure enough gas to drive an argumentative Jean-Luc Godard (Louis Garrel), his wife Anne Wiazemsky (Stacy Martin), and their friends (Micha […]

REVIEW: Tully [2018]

“You’re empty” After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn’t know what to expect with director Jason Reitman and writer Diablo Cody‘s third pairing behind the camera. The best I could do was enter the theater unprejudiced and hopeful for the best since I do like most of their […]

REVIEW: Isle of Dogs [2018]

“You’ve heard the rumor, right?” I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than […]