• Top 100 Albums of 2017

    Honorable Mention: #100: Talking by Elderbrook #99: Carnival III:The Fall and Rise of a Refugee by Wyclef Jean #98: Somewhere in Between by VÉRITÉ #97: The World We Built by The Wild Reeds #96: Lines by Charlie Cunningham #95: Ti Amo by Phoenix #94: Confidently Lost by Sabrina Claudio #93: Last Place by Grandaddy #92: […]

  • REVIEW: Hereditary [2018]

    “Why are you afraid of me?” If anyone has the ability to dive into the deepest, darkest secrets of an otherwise normal looking suburban family, it’s the writer/director of The Strange Thing About the Johnsons. It’s been seven years since Ari Aster‘s viral short film about incest and sexual abuse came out and yet his […]

  • REVIEW: Solo: A Star Wars Story [2018]

    “You said never improvise” Nine movies into the cinematic world of George Lucas‘ Star Wars—three of which extend past his control over the franchise—and we remain tethered to the Skywalkers. It makes sense. In order for Disney to commoditize the property, they must first reconnect with old fans and familiarize the new. So they stuck […]

  • REVIEW: Avengers: Infinity War [2018]

    “He’s never fought me twice” It’s been ten years since we met Tony Stark on the big screen. Ten years of serial storytelling with massive budgets, character crossovers, television offshoots, and Stan Lee cameos that took Hollywood and the box office by storm. Not even steward Kevin Feige could have predicted that type of longevity […]

  • REVIEW: You Were Never Really Here [2018]

    “I must do better, sir” An unparalleled exercise in economy, Lynne Ramsay‘s You Were Never Really Here cements her status as a cinematic master. This brutalist thriller runs a deliberate yet swift 89-minutes, its central character a man of few words with violence bubbling just beneath a too large heart for the hostile world that’s […]

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film reviews

REVIEW: Incredibles 2 [2018]

“Help me make supers legal again!” Fourteen years is a long time to wait for a sequel—especially from a studio that embraced the concept of creatively expanding properties with them early on in its tenure. Letting a decade-plus pass guarantees your initial audience has grown out of the target demographic and therefore presumes their interest […]

REVIEW: Bao [2018]

Watching the first half of Domee Shi‘s Bao with a quizzical expression is par for the course. How could you not react that way with this story of a Chinese-Canadian woman who begins to treat a hand-made dumpling like it is her child? It’s one thing to gasp and laugh when the tiny piece of […]

REVIEW: The Rider [2018]

“Don’t give up on your dreams” Whether you’ve ever rode a horse or not, you know what happens when they’re injured. It could be that you saw the black and white decision to put one down in a movie. Or maybe you heard about a bad break during one of the televised derbies people get […]

REVIEW: Tag [2018]

“Our friend is a psychopath and this is scary” The most memorable moment throughout Jeff Tomsic‘s Tag is the introduction of one of the five grown men engaged in a thirty-year game of trading who’s “it.” The player is “Chilli” (Jake Johnson) and he’s loudly smoking a bong while talking to his father, an aging […]

REVIEW: Mission: Impossible II [2000]

“Who wants to be decent?” It shouldn’t surprise anyone who’s seen the movie to read a 2016 interview and learn how screenwriter Robert Towne came aboard John Woo‘s Mission: Impossible II after the big action sequences were already set in stone. His job was to therefore connect those choreographed behemoths into a cohesive enough story […]

REVIEW: Mission: Impossible [1996]

“Hasta lasagna. Don’t get any on ya.” Despite completing its successful seven-season run in 1973, it would take another twenty-three years before Bruce Geller‘s original television series received its inevitable cinematic adaptation. For a former Emmy winner starring the likes of Peter Graves, Martin Landau, and Leonard Nimoy with an action thriller premise just past […]

REVIEW: Hereditary [2018]

“Why are you afraid of me?” If anyone has the ability to dive into the deepest, darkest secrets of an otherwise normal looking suburban family, it’s the writer/director of The Strange Thing About the Johnsons. It’s been seven years since Ari Aster‘s viral short film about incest and sexual abuse came out and yet his […]

REVIEW: The Incredibles [2004]

“I have a weapon only I can defeat” When I saw The Incredibles in theaters upon release, the easy comparison was Fantastic Four—its own cinematic adaptation still a year away in 2005. You have the physical brute of Bob Parr’s Mr. Incredible (Craig T. Nelson) like Thing, the stretchy elasticity of Helen’s Elastigirl (Holly Hunter) […]

REVIEW: Ocean’s 8 [2018]

“Hims are noticed. Hers are ignored.” The best way to reboot a franchise is via a sequel. It’s smart because of the connection whether it be setting or characters since familiarity allows us as viewers to settle in without having to relearn what the property intrinsically contains. Look at Creed—or to a lesser extent Star […]

REVIEW: L’eau froide [Cold Water] [1994]

“Extravagant maneuvers” Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide [Cold Water] eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. He would […]

REVIEW: The Year of Spectacular Men [2018]

“My path is a squiggle” The time has come to see the “manic pixie dream girl” trope from the other side. We’ve viewed countless depictions of attractively quirky women serving as plot points pushing their male lead counterparts over whatever hump they find themselves struggling to conquer, each a one-dimensional prop used before being discarded […]

REVIEW: Grace Jones: Bloodlight and Bami [2017]

“I have to do some emotional blackmail” There’s a moment early on in Sophie Fiennes‘ documentary Grace Jones: Bloodlight and Bami wherein the titular artist films a new music video-style performance of her 1977 hit disco-era cover of Édith Piaf‘s “La Vie en Rose.” She goes to the studio blind to what the imagery will […]

REVIEW: Upgrade [2018]

“Permission granted” Grey Trace (Logan Marshall-Green) was having a good day. An old school mechanic living in a high-tech world, his latest commission is roaring like a lion and ready to be handed off to its owner. Knowing his wife (Melanie Vallejo‘s Asha) would be interested to meet his benefactor being that she runs a […]

REVIEW: Beast [2018]

“I just wanted to go dancing” Everything is and isn’t as it seems with Michael Pearce‘s genre-fluid romantic thriller Beast. What starts with the template of rich girl falling for local bad boy against mom’s wishes turns to a case of serial murder with assumptions made every second that confirm what we believe is real […]

REVIEW: First Reformed [2018]

“A life without despair is a life without hope” We live in a time of extremism—where our reaction dial is turned up to eleven regardless of our true interest in a cause or its true importance. Somewhere along the line civil and constructive discourse was replaced by screaming fits of unjustified rage, nuanced topics debated […]