• Top 100 Albums of 2018

    Honorable Mention: #100: Mindset by Vacationer #99: Bruce Wayne by Fetty Wap #98: 7 by Beach House #97: Castles by Lissie #96: Shift by Henry Green #95: Kyoto by Tyga #94: White Is Relic/Irrealis Mood by of Montreal #93: Trickster Blues by RF Shannon #92: I can feel you creepinto my private life by Tune-Yards […]

  • REVIEW: Transit [2018]

    “I won’t be writing anymore school essays” It took until the end of Christian Petzold‘s Transit and my reading the press notes to realize Georg’s (Franz Rogowski) story unfolded in the present day. I felt off-balance from the start as far as what the historical context for these events were because he was a German […]

  • REVIEW: Apollo 11 [2019]

    “The Eagle has landed” A black screen with the title Apollo 11 arrives for an instant before we’re whisked away to July 1969 as those in Mission Control and astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins prepare themselves for the first manned spaceflight to land on the moon. There’s no opening interstitial providing context, […]

  • INTERVIEW: Keith Behrman, writer/director of Giant Little Ones

    One of my favorite things about going to the Toronto International Film Festival is finding the time to see the smaller movies that aren’t on everyone’s must-see lists. While the gamble sometimes turns out to be a dud, the risk is easily justified when you’re able to discover a work as genuinely memorable as Keith […]

  • The 91st Oscars recap through tweets …

    What a wild ride this Oscars season has been. After so much recent talk about inclusivity and a changing of the guard, it was bound to happen that we’d receive an awkward period of flux. There’s the young crowd cheering a Marvel Cinematic Universe chapter to the franchise’s first Best Picture nominee and the older […]

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film reviews

REVIEW: An American Werewolf in London [1981]

“Beware the moon, lads” It’s not hard to believe John Landis wrote his first draft of An American Werewolf in London at eighteen. The male gaze throughout is right in line with the comedies he would bring to life (The Kentucky Fried Movie and National Lampoon’s Animal House) to achieve the success necessary to secure […]

REVIEW: Archipelago [2011]

“I’ll wait and see what I’m told to do” There’s no better name for what Joanna Hogg has created than Archipelago. Not only has she set her film upon a series of islands on which the central family vacations, but she’s also molded the members of that horde into those very same scattered mounds of […]

REVIEW: La battaglia di Algeri [The Battle of Algiers] [1966]

“You never know” It’s almost impossible to receive an objective depiction of war considering how easy it is to skew art towards propaganda through the dissemination of a political agenda. And it’s only been getting harder as new technology keeps costs down when making movies that serve one side of things no matter the veracity […]

REVIEW: Unrelated [2008]

“Just don’t tell the olds. Yeah?” Tired and defeated, Anna (Kathryn Worth) walks her way down dark roads to the rented Italian villa of her oldest friend Verena’s (Mary Roscoe) extended family. She was supposed to arrive with husband Alex, the vague excuse of him having to stay behind last minute as good a reason […]

REVIEW: The White Crow [2019]

“I shall fight fear” While I don’t know anything about ballet, I am familiar with Soviet defection. Being a Buffalonian whose hometown hockey favorite as a kid was Alexander Mogilny means I must. It helps then that director Ralph Fiennes and screenwriter David Hare (inspired by Julie Kavanagh‘s book Rudolf Nureyev: The Life) start their […]

REVIEW: Fuga [Fugue] [2018]

“Prison would be better” Stories dealing with amnesia generally gravitate towards a heartwarming conclusion wherein a character regains his/her bearings to live happily ever after within the life they lost. This reality is due to the fact that the afflicted is often found soon after the incident that’s left them unfamiliar with their former self. […]

REVIEW: Velvet Buzzsaw [2019]

“All art is dangerous” The underlying idea of Dan Gilroy‘s art world horror Velvet Buzzsaw is an intriguing one because it forces us to realize how extensive the profiteering branch patterns of one single canvased tree of paint are. There’s the artist seeking notoriety, the gallery owner providing it, the consumers catching a glimpse at […]

REVIEW: Pokémon: Detective Pikachu [2019]

“I can feel it in my jellies” It’s almost shocking that nobody made a live-action Pokémon movie considering the card game’s heyday was back in the 1990s while the anime and video games still ruled kids’ televisions. That’s not to say the property ever disappeared. Nintendo couldn’t have turned “Pokémon GO” into an international smartphone […]

REVIEW: The Spanish Prisoner [1998]

“Dog my cats” Anyone who’s on social media has seen the “name” memes where your “whatever name” is formed by that of the first pet you owned and your grandmother’s maiden name—or some riff on this pattern. Everyone does it because it’s fun and they’ve been trained like sheep to participate in such activities so […]

REVIEW: Her Smell [2019]

“I see the void of eternity” The public loves a good train wreck when it comes to rockstars. That notion of burning your candle on both ends to create music that lasts forever at the expense of a life snuffed out too soon carries the sort of romanticism you must give pause to in hindsight, […]

REVIEW: High Flying Bird [2019]

“I love the Lord and all his Black people” A film like Steven Soderbergh‘s High Flying Bird is exactly what the Netflix model makes possible. You could even say the whole thing is a metaphor for the streaming service’s desire for a seat at the cinematic table. They’re a disruptor proving that what they offer […]

REVIEW: Red Joan [2019]

“That’s a peculiar way of putting it” The government agents within Trevor Nunn‘s Red Joan arrest Joan Stanley (Judi Dench) under suspicion of treason and enthusiastically ask who politicized her because to them only an outsider could have brainwashed someone to act against his/her country on behalf of a foreign enemy. It’s an understandably emotional […]

REVIEW: Ask Dr. Ruth [2019]

“My parents actually gave me life twice” A couple mentions of Dr. Ruth Westheimer as “Grandma Freud” are seen and heard throughout Ryan White‘s documentary

REVIEW: High Life [2019]

“What do you know about cruelty?” Redemption can be an illusion to so many people. They try so hard to make up for past misdeeds that they often fall prey to even more along the way. That’s what happens when you give your quest a tangible goal—achieving it becomes paramount, the process a means to […]

REVIEW: Wild Nights with Emily [2019]

“Sue, forevermore” As evidenced by her poetry and letters, the reclusive spinster Emily Dickinson proves anything but. Through them we learn of her struggles to get published, the rejections endured, and a love shared with her sister-in-law Susan. Why then was the former thought process how we were told to consider her life? Because those […]