• REVIEW: Wildlife [2018]

    “I feel like I need to wake up” The start of Paul Dano‘s directorial debut Wildlife depicts a happy household of mother (Carey Mulligan‘s Jeanette Brinson), father (Jake Gyllenhaal‘s Jerry), and son (Ed Oxenbould‘s Joe). They’ve just moved from Utah to Montana so Jerry can work as a country club’s resident “pro”—a job allowing Jeanette […]

  • TIFF18 REVIEW: First Man [2018]

    “It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

  • TIFF18 REVIEW: If Beale Street Could Talk [2018]

    “Flesh of each other’s flesh” Fonny Hunt (Stephan James) puts out his arms for a hug upon seeing an old friend in Daniel (Brian Tyree Henry) after too much time and too many men their age have passed. Smiles and laughter enter the scene before they are soon replaced by beers and reminiscing. And then […]

  • TIFF18 REVIEW: Aniara [2018]

    “The utter nonsense of living” So much of our desire to exist is based in control. We have the ability to move our homes, restart careers, and work towards a future of our choosing. No matter how difficult things become, there’s always a hope for better or an avenue towards change. It’s only when we’re […]

  • REVIEW: Night Comes On [2018]

    “I don’t think you’re like him” When the parole board asks seventeen-year old Angel Lamere (Dominique Fishback) why she hasn’t seen her younger sister (Tatum Marilyn Hall‘s Abby) in two years despite only being incarcerated for one, her reply was an honest yet simplistic, “I wasn’t a good influence.” The fact that she is where […]

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film reviews

REVIEW: What They Had [2018]

“Is that my baby?” Norbert Eberhardt (Robert Forster) is a loving, generous man who literally swept the woman of his dreams (Blythe Danner‘s Ruth) off her feet to start a decades-long romance that produced two children (Hilary Swank‘s Bridget and Michael Shannon‘s Nick), two grandkids (Taissa Farmiga‘s Emma being one), and unforgettable memories … until […]

REVIEW: Marlina Si Pembunuh dalam Empat Babak [Marlina the Murderer in Four Acts] [2017]

“This is my prisoner” Considering the seemingly endless number of Hollywood male directors tackling women empowerment films as a means to declare themselves feminists while also—wittingly or not—preserving their careers at the expense of the women they’re seemingly in solidarity with, you must give renowned Indonesian director Garin Nugroho credit for recognizing the treatment he […]

REVIEW: The Clovehitch Killer [2018]

“I like bad news” Don Burnside (Dylan McDermott) is a pillar of his community. He’s the troop leader of his son’s (Charlie Plummer‘s Tyler) church-adjacent Boy Scouts, a devout man of the Lord alongside his wife Cindy (Samantha Mathis), and the type of guy to go out of his way to volunteer and make the […]

REVIEW: Daughters of the Dust [1991]

“I ain’t got no more dreams, cousin” The voice we hear is of the unborn child (Kai-Lynn Warren) growing inside Eula Peazant (Alva Rogers). She speaks about the events onscreen from a future that ensures her birth if not her residence—the lynchpin to the entirety of Julie Dash‘s Daughters of the Dust who metaphorically and […]

REVIEW: Monsoon [2018]

“Don’t let one tragedy cause another” The start of Miguel Duran‘s Monsoon is like its own short film. We meet John (Austin Lyon) and Sarah (Katherine Hughes) the weekend the former is supposed to be moving east for Cornell while she remains closer to home in the Arizona desert. They’re best friends and have been […]

REVIEW: 버닝 [Beoning] [Burning] [2018]

“Should I forget it ‘isn’t’ here?” Jong-su (Ah-In Yoo) never tells Hae-mi (Jong-seo Jeon) what “metaphor” means. They’re standing in Ben’s (Steven Yeun) kitchen as he chops ingredients for a pasta dish and talks philosophically with a smug smile until the question comes up. He defers answering her to Jong-su since he’s the writer of […]

REVIEW: Jonathan [2018]

“I don’t want to take you with me” Something isn’t right. Jonathan (Ansel Elgort) is tired despite his routine bordering on monotony being the same for who knows how many years. He wakes at 7:00am without an alarm, goes for a morning run, and heads to work as a draftsman at an architecture firm run […]

REVIEW: Wildlife [2018]

“I feel like I need to wake up” The start of Paul Dano‘s directorial debut Wildlife depicts a happy household of mother (Carey Mulligan‘s Jeanette Brinson), father (Jake Gyllenhaal‘s Jerry), and son (Ed Oxenbould‘s Joe). They’ve just moved from Utah to Montana so Jerry can work as a country club’s resident “pro”—a job allowing Jeanette […]

REVIEW: Here and Now [2018]

“First a tragedy. Then a miracle.” The news ain’t good. Famed vocalist Vivienne Carala (Sarah Jessica Parker) is on the cusp of a world tour for her latest (and ninth) album only to find herself in a hospital waiting room calling her manager (Common‘s Ben) to say she’s going to be late for rehearsal. She […]

REVIEW: Suspiria [2018]

“Of what do you ask?” I’m no big fan of Dario Argento‘s Suspiria. It’s a gorgeous film overflowing with mood and aesthetic that ultimately becomes the poster child for style over substance before gradually revealing more to offer upon subsequent viewings. In the end, however, it still doesn’t add up to much besides its place […]

REVIEW: Trust Machine: The Story of Blockchain [2018]

“The old stuff is just weird stuff you got used to” Documentarian Alex Winter is really solidifying his place within the tech world as a storyteller willing to look at modern systems stymying the old guard and exciting the new before helping to disseminate what they mean for the world at-large. He looked back at […]

REVIEW: The Old Man and the Gun [2018]

“I know what I’m doing” Finding an occupation you love is rare when familial and financial responsibilities often dictate a path towards compromise. It’s therefore hard to let one go. Just ask Forrest Tucker, a career criminal in and out of prison since age fifteen whose life consisted of planning his next bank robbery or […]

REVIEW: Game Night [2018]

“It worked for Hitler” I never watched a trailer for Game Night because the posters looked lame and it came out at a time when I couldn’t watch it in a theater. So when the almost universal praise landed to hail it a dark comedy must-see of 2018 … I still didn’t watch the trailer. […]

REVIEW: Jinn [2018]

“I don’t know what it means to be a believer” Religion is sacrifice. I don’t think there’s another way to truly describe what it means to give yourself to faith so completely that you’ll allow it to control your life. It’s always fascinated me that so many ascribe to a God in this way. Whether […]

REVIEW: Gräns [Border] [2018]

“You shouldn’t listen to what humans say” Customs officer Tina (Eva Melander) stands at attention while a line of passengers exiting an international flight walk by, her nostrils perpetually flaring. She’s sniffing them as a means of discerning which might have illegally undeclared possessions on their person. An “Excuse me” later and her partner is […]